In her own words...
"Waverly and a Place"
2001
(for Richard Howard)
The room — a cave,
an Alexandria before the flames —
bound in boundlessness, a tapestry
of whispers, threads dangling
on tenses
distinguishing the naked ear.
What is this place, where am I here?
Syntax lights the lamp; it's dark outside.
Voices like down insist, insist
we are adrift.
It's anything you want, this galaxy
of prodigals in fabled seasons.
Our presence: invasion of privacy?
Waverly, serene, defines the evening
of its Place.
You could think of Babel's tower. Yet
so much fervor, captive now,
breathes mesmerizing quietude:
reams of leaves in which to drown
our panic.
A chime. It's late. Slant rain has
turned to snow. Time to go.
Speak for us, angels and demons of Parma
or Paris Oran Harar Peking or
Kathmandu —
islands, all islands, separate as we
who, shifting with tectonic tides,
merge, turn a cheek, a phrase,
leave this evening's alchemy —
Away!
The room — a cave,
an Alexandria before the flames —
bound in boundlessness, a tapestry
of whispers, threads dangling
on tenses
distinguishing the naked ear.
What is this place, where am I here?
Syntax lights the lamp; it's dark outside.
Voices like down insist, insist
we are adrift.
It's anything you want, this galaxy
of prodigals in fabled seasons.
Our presence: invasion of privacy?
Waverly, serene, defines the evening
of its Place.
You could think of Babel's tower. Yet
so much fervor, captive now,
breathes mesmerizing quietude:
reams of leaves in which to drown
our panic.
A chime. It's late. Slant rain has
turned to snow. Time to go.
Speak for us, angels and demons of Parma
or Paris Oran Harar Peking or
Kathmandu —
islands, all islands, separate as we
who, shifting with tectonic tides,
merge, turn a cheek, a phrase,
leave this evening's alchemy —
Away!
About this work
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