Sketch for De quel amour (By What Love)
1970
At
this
time...
Move into new house, Seillans. A hundred years earlier it would have been called a “folly.” Stone columns and marble floors and high studios (two). But it was all hers, like a painting, unsigned, an indescribable experience, a qualified enchantment.
Study for Cousins
Cousins
Pages 14-15 from Projets de 1969-70, a sketchbook of designs for sculptures
Projets de 1969-70, a sketchbook of designs for sculptures
Verbe
Study for Ouvre-toi (Open Sesame)
Ouvre-toi (Open Sesame)
Emma
Canapé en temps de pluie (Rainy-Day Canapé)
Traffic Sign
Nue couchée (Reclining Nude)
Voyeurs
Witnesses
Untitled
Frontispiece for La Marée
Untitled
Untitled
Untitled
Untitled
Untitled
Untitled
1971
At
this
time...
Dorothea Tanning is in her big new studio. Sculpture, painting, planning for a future that seems endless. Works in lithography with lithographer Pierre Chave of Vence.
Untitled
Studies for Hôtel du Pavot, Chambre 202
Hotel (Page 4 for the exhibition catalogue Ouvre-Toi)
Les portes de l’enfer viennent de fermer (Page 11 for the exhibition catalogue Ouvre-Toi)
The Maid Is Late Because She Laid Her Mate
Untitled from Ouvre-Toi
